The year my father died, I read a sto­ry in school about a lit­tle boy who builds ships in the bot­toms of bot­tles. This lit­tle boy lived by the maxim that if you could ima­gine the worst thing that could ever hap­pen, you would never be sur­pri­sed when it did. Not kno­wing that this maxim was the very defi­ni­tion of anxie­ty, as given by Freud (“‘Anxiety’ des­cribes a par­ti­cu­lar state of expec­ting the dan­ger or pre­pa­ring for it, even though it may be an unk­nown one”), I set to work culti­va­ting it. Already an avid “jour­na­ler,” I star­ted pen­ning nar­ra­tives of hor­rible things in my school note­book. My first ins­tallment was a novel­la tit­led “Kidnapped” that fea­tu­red the abduc­tion and tor­ture of my best friend, Jeanne, and me by a deran­ged hus­band-wife team. I was proud of my talis­ma­nic opus, even drew an ornate cover page for it. Now Jeanne and I would never be kid­nap­ped and tor­tu­red without our having fore­seen it ! I thus felt confu­sed and sad­de­ned when my mother took me out for lunch “to talk about it.” She told me she was dis­tur­bed by what I had writ­ten, and so was my sixth-grade tea­cher. In a flash it became clear that my sto­ry was not some­thing to be proud of, as either lite­ra­ture or pro­phy­lac­tic.

The Argonauts
Graywolf Press 2015

[W]hatever I am, or have since become, I know now that slip­pe­ri­ness isn’t all of it. I know now that a stu­died eva­si­ve­ness has its own limi­ta­tions, its own ways of inhi­bi­ting cer­tain forms of hap­pi­ness and plea­sure. The plea­sure of abi­ding. The plea­sure of insis­tence, of per­sis­tence. The plea­sure of obli­ga­tion, the plea­sure of depen­den­cy. The plea­sures of ordi­na­ry devo­tion. The plea­sure of reco­gni­zing that one may have to under­go the same rea­li­za­tions, write the same notes in the mar­gin, return to the same themes in one’s work, relearn the same emo­tio­nal truths, write the same book over and over again—not because one is stu­pid or obs­ti­nate or inca­pable of change, but because such revi­si­ta­tions consti­tute a life.
The Argonauts
Graywolf Press 2015

The self without sym­pa­the­tic attach­ments is either a fic­tion or a luna­tic…. [Yet] depen­dence is scor­ned even in inti­mate rela­tion­ships, as though depen­dence were incom­pa­tible with self-reliance rather than the only thing that makes it pos­sible. (Adam Phillips / Barbara Taylor)

I lear­ned this scorn from my own mother ; per­haps it laced my milk. I the­re­fore have to be on the alert for a ten­den­cy to treat other people’s needs as repul­sive. Corollary habit : deri­ving the bulk of my self-worth from a fee­ling of hyper­com­pe­tence, an irra­tio­nal but fervent belief in my near total self-reliance.

The Argonauts
Graywolf Press 2015

Once I sug­ges­ted that I had writ­ten half a book drunk, the other half sober. Here I esti­mate that about nine-tenths of the words in this book were writ­ten “free,” the other one-tenth, hoo­ked up to a hos­pi­tal-grade breast pump : words piled into one machine, milk sipho­ned out by ano­ther.

The Argonauts
Graywolf Press 2015

Afraid of asser­tion. Always trying to get out of “tota­li­zing” lan­guage, i.e., lan­guage that rides rough­shod over spe­ci­fi­ci­ty ; rea­li­zing this is ano­ther form of para­noia. Barthes found the exit to this mer­ry-go-round by remin­ding him­self that “it is lan­guage which is asser­tive, not he.” It is absurd, Barthes says, to try to flee from language’s asser­tive nature by “add[ing] to each sen­tence some lit­tle phrase of uncer­tain­ty, as if any­thing that came out of lan­guage could make lan­guage tremble.”

My wri­ting is ridd­led with such tics of uncer­tain­ty. I have no excuse or solu­tion, save to allow myself the trem­blings, then go back in later and slash them out. In this way I edit myself into a bold­ness that is nei­ther native nor forei­gn to me.

The Argonauts
Graywolf Press 2015