{"id":10,"date":"2016-01-16T14:45:14","date_gmt":"2016-01-16T13:45:14","guid":{"rendered":"http:\/\/www.testanonpertinente.net\/locule\/?p=10"},"modified":"2021-02-17T20:55:07","modified_gmt":"2021-02-17T19:55:07","slug":"10","status":"publish","type":"post","link":"https:\/\/testanonpertinente.net\/?p=10","title":{"rendered":"po\u00e9sie\/musique (Beck, Contre un Boileau)"},"content":{"rendered":"<p>La lit\u00adt\u00e9\u00adra\u00adture a aus\u00adsi ins\u00adpi\u00adr\u00e9 la musique dans sa forme. Par exemple, les titres des <i>M\u00e4rchenbilder<\/i> (\u00ab&nbsp;Images de contes&nbsp;\u00bb) pour alto et pia\u00adno opus 113 (1851) et des <i>M\u00e4rchenerz\u00e4hlungen<\/i> (<i>R\u00e9cits de contes<\/i>) pour cla\u00adri\u00adnette, alto et pia\u00adno opus 132 de Schumann (1853) sont des r\u00e9f\u00e9\u00adrences expli\u00adcites au <i>M\u00e4rchen<\/i>, au conte. La notion de la&nbsp;<i>M\u00e4rchenerz\u00e4hlung<\/i> montre que le texte musi\u00adcal raconte \u00e0 nou\u00adveau ce que le conte dit \u00e0 sa mani\u00e8re. La musique ne met donc pas en rythme et m\u00e9lo\u00addie un r\u00e9cit&nbsp;; elle raconte <i>dans son m\u00e9dium<\/i>. Elle est r\u00e9cit au car\u00adr\u00e9, ou sens au car\u00adr\u00e9, et de fa\u00e7on tr\u00e8s sin\u00adgu\u00adli\u00e8re, car elle a besoin de se mul\u00adti\u00adplier par la lit\u00adt\u00e9\u00adra\u00adture (ici la prose des Grimm). Schumann consi\u00add\u00e8re d\u2019ailleurs que la meilleure fa\u00e7on de lire les contes est la lec\u00adture \u00e0 haute voix, qu\u2019il pra\u00adtique beau\u00adcoup aupr\u00e8s de ses enfants. Schumann a trans\u00adpo\u00ads\u00e9 en musique la \u00ab&nbsp;courbe into\u00adna\u00adtive du r\u00e9cit&nbsp;\u00bb. La po\u00e9\u00adsie (qui hante les proses) devient le mod\u00e8le de la musique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La lit\u00adt\u00e9\u00adra\u00adture a aus\u00adsi ins\u00adpi\u00adr\u00e9 la musique dans sa forme. Par exemple, les titres des M\u00e4rchenbilder (\u00ab&nbsp;Images de contes&nbsp;\u00bb) pour alto et pia\u00adno opus 113 (1851) et des M\u00e4rchenerz\u00e4hlungen (R\u00e9cits de contes) pour cla\u00adri\u00adnette, alto et pia\u00adno opus 132 de Schumann (1853) sont des r\u00e9f\u00e9\u00adrences expli\u00adcites au M\u00e4rchen, au conte. La notion de la&nbsp;M\u00e4rchenerz\u00e4hlung montre&nbsp;[\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"quote","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[1],"tags":[183],"class_list":["post-10","post","type-post","status-publish","format-quote","hentry","category-non-classe","tag-poesie-et-musique","post_format-post-format-quote"],"acf":[],"_links":{"self":[{"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=\/wp\/v2\/posts\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10"}],"version-history":[{"count":0,"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=\/wp\/v2\/posts\/10\/revisions"}],"wp:attachment":[{"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/testanonpertinente.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}