now of all the philosophers i know the only one who tried to make a case for the meaning of experience is john dewey actually tried to think it through although his most thorough thinking through took place in a very special situation to describe the experience of art which was not an activity he was very knowledgeable about but he was knowledgeable about human activity and he proposed that art making was very much like any other form of human activity and that at its center is the experience it provides you with in order to describe this he had to work out his idea of what an experience was and this turned out to be a profound idea a very beautiful notion that an experience a real or integral experience has a narrative form it has a beginning a middle and an end he supposes that all experiences are generated by a kind of need or desire as he sees it if you dont need or desire something you wont experience it fully at all and he distinguishes between what he calls full or integral experiences and partial or chaotic experiences that dont involve full self awareness and these dont count at all for dewey he says look suppose you go to a french restaurant thats supposed to be a wonderful restaurant and youre all set to have a great culinary experience youre waiting for the first dish to arrive youve selected an hors d’oeuvre and youre waiting for it to come you could be terribly surprised because in spite of the candlelight and the sparkling tablecloths the paintings on the wall the waiters all speaking their earthy dialects the frogs legs just dont taste very good they taste like tough chicken thighs and theres nothing more banal than overcooked chicken thighs so this is a bad moment a small personal tragedy but you still have hopes for the entrée you boldly order boeuf bourguignon but it comes back sour and unpalatable the wine is past its prime and the beef is stringy this is very disappointing but youre still trying to find some of the satisfaction you imagined or hoped for so now youre at dessert you order an apple and some brie what can they do to an apple and they didnt make the brie your luck turns around its a marvelous apple firm and sweet with the fragrance of its blossom and a luscious creamy brie its a partial retrieval youve snatched a small satisfaction from the debacle of the meal this is an experience you will never forget its hopes and its fears its great defeats and its final small victory next time you go to a french restaurant youll be wary of the frogs legs and maybe youll avoid the boeuf bourguignon
Recherche
i never knew what time it was
6 entrées- *Anonyme
- *Collectif
- Adorno (Theodor)
- Agamben (Giorgio)
- Ajl (Max)
- Al-Kindî
- Alferi (Pierre)
- Althusser (Louis)
- Antin (David)
- Aristote
- Artaud (Antonin)
- Ashbery (John)
- Aspe (Bernard)
- Augustin
- Ávalos Soto (Angela Beatriz)
- Averroès
- Bailly (Jean-Christophe)
- Baraka (Amiri)
- Barnes (Djuna)
- Barthes (Roland)
- Bataille (Georges)
- Baudelaire (Charles)
- Beck (Philippe)
- Beckett (Samuel)
- Bellay (Joachim du)
- Bénézet (Mathieu)
- Benjamin (Walter)
- Benveniste (Emile)
- Bergman (Ingmar)
- Bergson (Henri)
- Bernanos (Georges)
- Bernhard (Thomas)
- Beynon (Lucy)
- Blanqui (Auguste)
- Bloch (Ernst)
- Boccace
- Boute (Antoine)
- Bouveresse (Jacques)
- Boyer (Anne)
- Brassat (Emmanuel)
- Brecht (Bertolt)
- Brentano (Franz)
- Brinkmann (Rolf Dieter)
- Brun (Marl)
- Brun (Marl )
- Burton (Robert)
- Butler (Judith)
- Cadiot (Olivier)
- Calleja (Arno)
- Camatte (Jacques)
- Cantorbéry (Anselme de)
- Cardan (Jérôme)
- Cassin (Barbara)
- Certeau (Michel de)
- Cesarano (Giorgio)
- Chakrabarty (Dipesh)
- Chaves (Luis Fernando)
- Christoffel (David)
- Chtcheglov (Ivan)
- Coleridge (Samuel)
- Collu (Gianni)
- Cooper (Dennis)
- Coppo (Piero)
- Coste (Florent)
- Creeley (Robert)
- Cues (Nicolas de)
- Danos (Frédéric)
- Debord (Guy)
- Deleuze (Gilles)
- Deligny (Fernand)
- Des Forêts (Louis-René)
- Des lascars du lep électronique
- Descartes (René)
- Detienne (Marcel)
- Devereux (Georges)
- DeWitt (John)
- Di Prima (Diane)
- Donne (John)
- Dumont (de Monteux) (Pierre)
- Eckhart (Maître)
- Eisen-Martin (Tongo)
- Ernaux (Annie)
- Etchart (L.)
- Fabiani (Jean-Louis)
- Faccioli (Paolo)
- Fallisi (Joe)
- Fanon (Frantz)
- Feyerabend (Paul)
- Fishacre (Richard)
- Flinn (Michael)
- Foucault (Michel)
- Fourier (Charles)
- Freud (Sigmund)
- Gaon (Saadia)
- Gautier (Théophile)
- Gerson (Jean)
- Ghazâlî
- Gleize (Jean-Marie)
- Glissant (Édouard)
- Goldmann (Lucien)
- Goubier (Frédéric)
- Gratien
- Guattari (Félix)
- Guesdon (Maël)
- Hanna (Christophe)
- Harney (Stefano)
- Harvey (David)
- Hocquard (Emmanuel)
- Hocquenghem (Guy)
- Hoffmanstall (Hugo von)
- Hölderlin (Friedrich)
- Horkheimer (Max)
- Huet (Anne-Sarah)
- Humboldt (Wilhelm von)
- Huppe (Justine)
- Imbert (Claude)
- Jameson (Fredric)
- Janet (Pierre)
- Jean Damascène
- Jeschke (Lisa)
- Jesi (Furio)
- Jochmann (Carl Gustav)
- Johnston (Jill)
- Kafka (Franz)
- Kant (Immanuel)
- Kleist (Heinrich von)
- Klemperer (Viktor)
- Klossowski (Pierre)
- Kohn (Eduardo)
- Kracauer (Siegfried)
- Kristeva (Julia)
- L L de Mars
- Lacan (Jacques)
- Laforgue (Jules)
- Laing (Ronald David)
- Langer (Sam)
- Latini (Bruno)
- Latour (Bruno)
- Lecoq (Sylvain)
- Leroy (Olivier)
- Levi (Carlo)
- Lévi-Strauss (Claude)
- Libera (Alain de)
- Lichtenberg (Georg Christoph)
- Liebman (Alex)
- Linebaugh (Peter)
- Lizerand (Georges)
- Long Chu (Andrea)
- Luxemburg (Rosa)
- Lyotard (Jean-François)
- Mackey (Nathaniel)
- Macpherson (Crawford Brough)
- Maïmonide (Moïse)
- Mallarmé (Stéphane)
- Mandelstam (Ossip)
- Marcuse (Herbert)
- Marx (Karl)
- Mayer (Bernadette)
- Mémoire (Danielle)
- Mendelssohn (Anna)
- Michaux (Henri)
- Molière
- Moten (Fred)
- Müller (Heiner)
- Musil (Robert)
- Nelson (Maggie)
- Nietzsche (Friedrich)
- Noël (Bernard)
- Novalis
- O’Hara (Frank)
- Oppen (George)
- Panaccio (Claude)
- Paris (Jean)
- Péguy (Charles)
- Perniola (Mario)
- Pessoa (Fernando)
- Piron (Sylvain)
- Potay (Michel)
- Pouradier (Maud)
- Prat (Louis)
- Prigent (Christian)
- Proust (Marcel)
- Prynne (Jeremy Halvard)
- Quatrebarbes (Marie de)
- Quintane (Nathalie)
- Ra (Sun)
- Rabelais (François)
- Raworth (Tom)
- Reed (Ishmael)
- Renouvier (Charles)
- Rimbaud (Arthur)
- Robertson (Lisa)
- Robine-Langlois (Théo)
- Rosier-Catach (Irène)
- Rosset (Clément)
- Roth (Joseph)
- Roubaud (Jacques)
- Rubin (Isaak)
- Rueff (Martin)
- Saïd (Edward)
- Sanchez (Pascal)
- Saussure (Ferdinand de)
- Scalapino (Leslie)
- Schefer (Jean-Louis)
- Scherer (René)
- Schiller (Friedrich)
- Schlegel (Friedrich)
- Schrödinger (Erwin)
- Sebald (W. G.)
- Sohn-Rethel (Alfred)
- Sourice (Grégoire)
- Sperber (Dan)
- Spicer (Jack)
- Starobinski (Jean)
- Tarkos (Christophe)
- Theweleit (Klaus)
- Thomas d’Aquin
- Tiercelin (Claudine)
- Tiqqun
- Ulrich de Strasbourg
- Vachey (Michel)
- Valéry (Paul)
- Veyne (Paul)
- Vigny (Alfred de)
- Viveiros de Castro (Eduardo)
- Wallace (Robert G.)
- Wallace (Rodrick)
- Walser (Robert)
- Wang (Jackie)
- Weiss (Peter)
- Wieners (John)
- Williams (William Carlos)
- Wismann (Heinz)
- Wittgenstein (Ludwig)
- Wolman (Gil)
- Zukofsky (Louis)
- Π. O.
- Π. O.
i walk over and i look at the roulette table while she stands there silently watching i look at the numbers
the numbers are strange 3 π ε α δ σ i pick ε somehow thinking its the natural log e
so i pick ε hands a transcendental number the ball goes round and round her hands again my croupier claps her and it stops on ε she claps and an elderly gentleman in a tuxedo without a tie comes out of a back room carrying what looks like a violin case comes in takes out an old violin and starts to play he plays he in this odd broken way for moments he plays brilliantly a paganini caprice which you shouldnt play unless youre in full control of everything in the world paganini caprice very bad he starts playing this and for a few bars its brilliant and then he starts again paganini caprice violin and starts to cry and then it goes and hes playing the same and again it starts brilliantly fourteen bars further hes playing before it breaks down hes weeping there and this time goes he puts down the and a little girl comes out and takes him by the hand and leads him out of the room i look at my croupier she says « winning is also losing »
to realize how funny it was you first have to remember that ronald reagan was governor of california nixon was in the white house and h.r. haldeman nixons chief of staff was on the board of trustees that the disneys had set up for cal arts while marcuse was the darling of the new left or of its youth movement in spite of the fact that he was really an elderly german intellectual whose radically revisionist marxian ideas of the liberational possibilities of the sexual revolution were invariably expressed in the pedantic prose of the hegelian dialectic so he must have looked to the southern california right wing like a combination of bakunin and havelock ellis besides which he had an absolutely negative relation to just about all contemporary art
i had an image we were talking about celebrating birthdays and people wanted to know if i wanted a birthday party and i said i dont know if i want a birthday party because birthdays are a little bit like being in a falling elevator and celebrating at every floor you fall and then i thought about this again and i realized id only thought about this since i got to be thirty because when i was a real little guy i always thought of getting older as an ascension you know how you have a different image of getting older when youre a kid how you cant wait i remember i was sitting on a stoop with about five other little kids and we mustve been somewhere between three and five us sitting out having a conference on a stoop in brooklyn trying to decide how old we want to be being three or four or five between three and five all of and were because nobodys content its a bad time you dont want to be first of all everybody else is too tall always looking up and you get a crick in your neck from it play stickball yet with the older kids in the street you know youre you cant its not a good time youre too dependent somebodys always got to take you across the street and thats a drag and you cant drink coffee or they wont let you i actually had an aunt who snuck me coffee and it was like being free for a minute she was my favorite aunt i lived with her and my grandmother and three other aunts in this house with a covered porch and a stoop and thats what i remember thats where we were sitting having this conference on aging and one kid said oh id like to be thirteen sounded like a real good powerful male age boys but im not even sure of that that i think all the kids were and one said id like to be fifteen and everybody agreed that was good and then somebody said twenty-one and one said eighteen no we said thats too old it takes two words to say it we knew twenty-one was over the hill ballistic idea like the trajectory of a shell till you reached a certain point so we already had this you went up for a while and then you came down because even then we knew that whatever goes up also comes down and we had some sense of the failing of our powers at twenty-two and we would no longer be the same happy cute kids at the age of twenty-two thats the view we had then and ive had several different views of this since then sometimes ive seen the movement of time as something like a carousel
there are stories without narratives in every newspaper in the country a hurricane swung inland and hit the coast of florida once there was a peaceful town called tallahassee and now its in ruins […] and as i see it a story is all about plot a story is the representation of a series of events and parts of events that result in a significant transformation its a logical form but a narrative is a representation of the confrontation of somebody who wants something with the threat and or promise of a transformation that he or she struggles to bring about or prevent or both these are two different cognitive modalities addressed to the problems posed to us by time because time is measured by change destabilizes all things especially human things temporary steady state systems who like to and change because we are all have to think of ourselves as stable in order to imagine ourselves as selves at all
David Antin, I never knew what time it was
about two years ago elly and i decided we needed a new mattress or maybe elly decided it because i didnt pay much attention to the problem we had an old mattress wed had it for years and the salesman wed bought it from had assured us it would last us a lifetime and it was getting older and lumpy or lumpy in some places and hollowed out in others and i just assumed it was part of a normal process of aging it was getting older we were getting older and wed get used to it but eleanor has a bad back and she was getting desperate to get rid of this mattress loyally that had lived with us for such a long time and so that i thought i knew all its high points and low points its eminences and pitfalls and i was sure that at night my body worked its way carefully around the lumps dodging the precipices and moving to solider ground whenever it could
but maybe eleanor sleeps more heavily than i do i have a feeling that i spent much of my life at night avoiding the pitfalls of this mattress that i was used to and it was a skill id acquired over the ten or fifteen years of this mattress’ life so i felt there was no reason to get rid of this mattress that had been promised to us by a salesman who said it would last the rest of our lives i figured we were going to live long lives i didnt think we were anywhere close to dying so neither was the mattress but eleanor kept waking up with backaches
still i figured it was a good mattress and that elly just didnt have enough skill at avoiding the lumps mattress was at fault it never occurred to me that the so i didnt do anything and elly didnt do anything because shes not into consumer products and hates to go shopping but by the end of a year elly convinced me because she has a sensitive back and i dont that she had a more accurate understanding of this business than i did so i said sure eleanor lets get a new mattress were rebuilding the house as long as were going to have a new house we may as well have a new mattress but eleanor said how will i know its a good one i dont want to get another mattress that gets hollowed and lumpy and gives me backaches when i wake up how will i know how to get a good one
i said well open the yellow pages and well look up mattresses and therell be several places that sell them point a finger at one of these places and ill close my eyes and and it will be a place that has lots of mattresses where we can make a choice as to what constitutes a good one by lying on them
now elly really knew that you cant just walk into a place and buy a mattress she knows this about american consumer goods and she knows that these places would be equipped with rich delusional capabilities whatever they might be
we would go to a great warehouse with subdued lighting where they played somniferous music that encouraged you into restful comfort while people would be heard talking in hushed voices walking about examining the mattresses or testing them by gently reclining on them « oh are you buying that one my aunt sylvie had one just like it and practically lived on it »
« thats a wonderful mattress my uncle everett suffered for years from lumbago that never let him sleep and slept like a baby ever since » she knows that these places would be equipped with rich delusional he bought that mattress « my aunt agnes had asthma and she used to wake up every hour gasping for breath sleeping on that mattress she sleeps like a log since shes been she rises fresh every morning and plays three sets of tennis every afternoon and shes seventy-three »
[…]
we drive out to the one on miramar and its in one of those little malls with a vietnamese restaurant a shoe store and an aerobic studio for women and theres a big empty looking storefront that says THE MATTRESS WAREHOUSE its encouraging i say theres a big truck outside filled with mattresses elly says yes but the place looks as blank as a tire store it doesnt look very impressive i said well the mattresses are all lying down on the floor and youre looking in the window
so i get her into the store and we start looking around trying to figure out where to start and there is a helpful little man an elderly irishman with freckles and gray hair and very laid back and he wants to know if he can help us
can you tell me where the better mattresses are asks eleanor
it all depends on what you want my dear
i want something eleanor says thats firm but comfortable
no i said eleanor you want it to be more than firm every time you talk to me about a mattress you want it to be hard because youre afraid youll sink into it
[…]
but what if its the wrong one she said well get used to it i said but seriously she said what if its the wrong one ? i said what would be the right one ? eleanor forget it it doesnt matter you know what luther said when he was confronted by the disciple who wanted to know what to do if he wasnt sure whether or not he was in a state of grace ? he said « sin bravely » i said dammit we dont know if we got the right mattress we dont know if we got the right mixmaster we dont know if we got the right anything theres no way to know let us live cheerfully in our ignorance and we went home
[…]
so now were sleeping on the great mattress that eleanor selected so carefully for us and she still has back troubles but theyre not as bad as the ones she used to have so either this is the best possible mattress for her and for us or not and this is the situation that i think best describes our postmodern condition i believe in taking descartes’ advice if youre lost in a forest and you have no idea which way to go with respect to which go for it straight ahead its not likely to be any worse than anything else