04 03 25

Long Chu, Females

Screwing is, for a man, a defense against his desire to be female,” pro­claims the SCUM Manifesto. The para­dox of the male libi­do is that it isn’t actual­ly male. Nowhere is this more evident today than in the manos­phere, that awful­ly named borough of the Internet where pickup artists, men’s rights acti­vists, incels, Men Going Their Own Way, and other alt-right com­mu­ni­ties go to com­mi­se­rate, swap tips, and air their woman-hating and racism without fear of repri­sal. At the heart of the manos­phere lies the convic­tion that men—paradigmatically, though not always, white men—have lost sta­tus in the past fif­ty years, ulti­ma­te­ly thanks to the rise of femi­nism. To awa­ken to this fact is to take the red pill—a phrase bor­ro­wed from the 1999 film The Matrix, whose hacker pro­ta­go­nist Neo is given the choice bet­ween a red pill and a blue. The lat­ter will return Neo to his simu­la­ted eve­ry­day life with no memo­ry of the choice ; the for­mer, which he picks, trans­ports him out of the Matrix and into the real world where huma­ni­ty has been ensla­ved by sen­tient machines. In recent years, the alt-right has co-opted the scene as a parable for seeing past femi­nist brain­wa­shing to the truth : femi­nism is a disease, all women wish to be domi­na­ted, and nice guys finish last.

Of course, ano­ther inter­pre­ta­tion of the red pill is pos­sible. Trans women have clai­med The Matrix as an alle­go­ry for gen­der tran­si­tion since at least 2012, when direc­tor Lana Wachowski publi­cly came out as a trans woman while doing press for the film Cloud Atlas. (Her sis­ter and codi­rec­tor Lilly fol­lo­wed suit in 2016.) The sym­bo­lism is easy to find in the plot : Thomas Anderson’s double life (he’s a hacker by night), his cho­sen name (Neo), his vague but mad­de­ning sense that some­thing is off about the world (“a splin­ter in your mind,” resis­tance lea­der Morpheus calls it). Neo has dys­pho­ria. The Matrix is the gen­der bina­ry. You get it.

And then there’s the red pill itself, less a meta­phor for hor­mone the­ra­py than a lite­ral hor­mone. Many have poin­ted out online that back in the nine­ties, pres­crip­tion estro­gen was, in fact, red : the 0.625 mg Premarin tablet, deri­ved in Matrix-like fashion from the urine of pre­gnant mares, came in smooth, cho­co­la­tey maroon. Trans allies on Twitter now glee­ful­ly bran­dish this fact as a well, actually–style rejoin­der to the alt-right’s recent co-opta­tion of the red pill scene as a parable for “awa­ke­ning” from femi­nist brain­wa­shing.

There’s some­thing to this. Taken serious­ly, it sug­gests that the manos­phere red-piller’s resent­ment of immi­grants, black people, and queers is a sadis­tic expres­sion of his own gen­der dys­pho­ria. In this rea­ding, he is an abor­tive man, a beta trap­ped in an alpha’s body, consu­med with the desire to be female and des­pe­ra­te­ly trying to repress it. His desire to increase his man­hood is not pri­ma­ry, but a second-tier defense mecha­nism. Those around him assume he is a lea­der, a pro­vi­der, a pre­sident ; but his grea­test fear is that they are mis­ta­ken. He radicalizes—shoots up a school, builds a wall—in order to avoid tran­si­tio­ning, the way some clo­se­ted trans women join the mili­ta­ry in order to get the girl bea­ten out of them.

But there’s ano­ther level. The Wachowski sis­ters, even if they knew about Premarin, could never have pre­dic­ted that the most com­mon form of pres­crip­tion estro­gen today would be blue. Aquamarine, actually—a tiny, coarse 2 mg estra­diol pill sup­plied by Israeli phar­ma­ceu­ti­cal com­pa­ny Teva that turns to pow­der in your mouth. At present, I take the blue pill twice a day, once upon waking and once before bed, sen­ding myself back into the simu­la­tion. By this logic, the hid­den trans woman of The Matrix is not the mes­sia­nic Neo, but Cypher, the slea­zy trai­tor, who agrees to hand Morpheus over to the machines in exchange for being rein­ser­ted into the Matrix. “Ignorance is bliss,” he tells the agents, mouth full of jui­cy, nonexistent steak. (Recall that cipher is an old word for zero.) “I don’t wan­na remem­ber nothing. Nothing. You unders­tand?”

Valerie would have appro­ved of hor­mone the­ra­py, I think. The SCUM Manifesto alludes, posi­ti­ve­ly, to a futu­ris­tic world where men are trans­for­med into women “by means of ope­ra­tions on the brain and ner­vous sys­tem.” This was one of SCUM’s non­ge­no­ci­dal solu­tions for the few men who might remain after the revo­lu­tion. Another, hin­ted at in a foot­note, sounds a lot like the Matrix—a vast vir­tual rea­li­ty net­work that men would willin­gly plug them­selves into as “vica­rious livers.” “It will be elec­tro­ni­cal­ly pos­sible for [men] to tune into any spe­ci­fic female [they want] to and fol­low in detail her eve­ry move­ment,” Valerie explains, decla­ring it a “mar­ve­lous­ly kind and humane way” for women to treat their “unfor­tu­nate, han­di­cap­ped fel­low beings.”

Isn’t that the whole point of gender—letting someone else do your living for you ?