• Fred Moten , Stefano Harney ⋅ The Undercommons 12 12 16

    In the trick of poli­tics we are insuf­fi­cient, scarce, wai­ting in pockets of resis­tance, in stair­wells, in alleys, in vain. The false image and its cri­tique threa­ten the com­mon with demo­cra­cy, which is only ever to come, so that one day, which is only never to come, we will be more than what we are. But we alrea­dy are. We’re alrea­dy here, moving. We’ve been around. We’re more than poli­tics, more than set­tled, more than demo­cra­tic. We sur­round democracy’s false image in order to unset­tle it. Every time it tries to enclose us in a deci­sion, we’re unde­ci­ded. Every time…

  • Fred Moten , Stefano Harney ⋅ The Undercommons

    The work of bla­ck­ness is inse­pa­rable from the vio­lence of bla­ck­ness. Violence is where tech­nique and beau­ty come back, though they had never left. Consider tech­nique as a kind of strain and consi­der the tech­nique that is embed­ded in and cuts tech­niques – the (Fanonian as appo­sed to Artaudian) cruel­ty. The inter­nal dif­fe­rence of bla­ck­ness is a violent and cruel re-rou­ting, by way and out­side of cri­tique, that is pre­di­ca­ted on the notion, which was given to me, at least, by Martin Luther Kilson, Jr., that there’s nothing wrong with us (pre­ci­se­ly inso­far as there is some­thing wrong, some­thing off,…

  • Fred Moten , Stefano Harney ⋅ « Michael Brown »

    Against the grain of the state’s mono­po­li­za­tion of cere­mo­ny, cere­mo­nies are small and pro­fli­gate ; if they weren’t eve­ryw­here and all the time we’d be dead. The ruins, which are small rituals, aren’t absent but sur­rep­ti­tious, a range of song­ful scar­ring, when people give a sign, shake a hand. But what if toge­ther we can fall, because we’re fal­len, because we need to fall again, to conti­nue in our com­mon fal­len­ness, remem­be­ring that fal­ling is in appo­si­tion to rising, their com­bi­na­tion given in lin­ge­ring, as the giving of pause, recess, ves­ti­bu­lar remain, cus­to­dial remand, hold, hol­ding in the inter­est of rub,…